Interested in the poetics of body and human mind "occupy”, Elsoldelrac takes place in a context of conscious privilege, nationalized mexican in the northwest border of his country, transiting Tijuana’s downtown and southern California. I work with the body, the mind and the seek of them emancipation through de-construction of languages using plastic arts, confection, installation and process-art. I’m interested in the dialogue between body, space, mind, art-object and the sense of presence that evidences of use and time that exist on my body of work can evoke. The textures caused by the concentrated overpopulation, and the persistence of nature triggers my creativity. Analogies of our overprotected physical person and "our lands" are made, evidence of construction and abandonment. In conjunction with acrylic, textiles and graphics, materials for residential construction are use in the manufacture of my work, some undergo traditional intervention while others are textured by nature it selves. Shaping the perception and dimensions of space from an architectural point of view is what my installations seeks. Propaganda to the necessary manifestation and rebellion that celebrates change, diversity and acceptance of evolution in co-existence. Following the idea of an alternative use for art, I work with "interactive" sculptures and "utilitarian art" My production is a gesture that applauds recycling but at the same time alludes to accumulation. The "positive and negative" use of the physical and intellectual space.